Vandoliers: Life Behind Bars Tour

“Most personal album yet” is a well-worn cliché within the cliché-addled world of music promotion. But Life Behind Bars, the fifth studio album from beloved Texas country-punk ensemble Vandoliers, brings new meaning to that phrase. This album marks a series of firsts for the band, it’s their first release with upstart Break Maiden Records and distributed by storied indie Thirty Tigers, their first with Grammy-winning producer Ted Hutt (The Gaslight Anthem, Flogging Molly, Lucero), and their first recorded at the sprawling Sonic Ranch studios in West Texas. Most importantly, though, this collection of songs offers a window into frontwoman Jenni Rose’s journey through addiction and gender dysphoria — a journey that has culminated in her decision to come out as a trans woman while working in the macho worlds of Texas country and punk rock, at a moment when the rights of trans people are more intensely threatened by the day.

“It’s heavier than our other stuff,” says Rose. “Why is this country punk band that’s usually a source of positive energy so melancholy? It’s because I was dealing with accepting my gender dysphoria, while also trying to get sober.”

For the uninitiated, even the most melancholy Vandoliers song has a degree of exuberance and verve, full of an irrepressible energy that has led the band to tour with everyone from Flogging Molly to the Turnpike Troubadours to fellow Dallas-Fort Worth natives the Toadies and the Old 97s. Songs like pandemic anthem (only Vandoliers could make those two words fit together) “Every Saturday Night,” “Cigarettes in the Rain,” “Sixteen Years” and their irresistible take on the Proclaimers’ “I’m Gonna Be (500 Miles)” have helped the band find a devoted following across the world, fans who pack out shows that are always life-affirming and usually end with some Vandoliers hopping around onstage shirtless.

It was onstage that Rose fully realized who she was for the first time. In early 2023, she was barely six months sober and fighting to stay that way while touring with some of the most raucous bands around; she was also trying to write a new collection of Vandoliers songs responding to the first feedback she’d gotten from Hutt. “Your songs are superficial,” he told Rose. “There’s a barrier between what you’re actually writing and your deeper self.”

In the middle of that, Vandoliers happened to be playing a show in Maryville, Tennessee the same day that the state’s governor, Bill Lee, had signed what was generally understood as a “drag ban.” Cory Graves, who sings and plays keyboard and trumpet in the band, suggested they all wear dresses for their show that night in protest. “I was like, ‘Hell yeah, I would love to do that’ — like, how harmless is this?” says Rose. Photos from the show went viral, and were covered by Rolling Stone, among many other outlets. Rachel Maddow did a segment on the band on MSNBC. “That was the first time I had ever worn a dress in public, but not the first time I had worn a dress — and then the entire planet saw it. The wall that I had keeping this side of me invisible was completely shattered. I wrote down in my journal, ‘Fuck, I think I’m trans.'”

“We’ve been breaking rules in country for 10 years,” says Rose. “‘You play too fast.’ ‘You’re too loud.’ ‘You sing too high.’ ‘You’re more of a punk band.’ All that matters, though, is that people hear our songs and they help them in any way — that’s all we can hope for. I’m struggling so much on this record, but I hope that another trans girl listens to it and finds something in it for themselves.”