W.I.T.C.H. w/ PAINT
– ALL AGES- STANDING ROOM ONLYW.I.T.C.H. W.I.T.C.H. (We Intend To Cause Havoc) were the biggest rock band in Zambia in the 1970s and spearheaded a new genre dubbed Zamrock, fusing influences that ranged from the Rolling Stones to Black Sabbath and James Brown and mixing them with traditional African rhythms and bush village songs. At t the peak of their popularity, the band often needed police to keep fans at bay while their lead singer Jagari – whose name is an Africanisation of Mick Jagger’s – riled up crowds by stage diving from balconies and dancing manically as the WITCH’s blend of psychedelic rock and African rhythms permeated the surrounding atmosphere. Jagari is the charismatic sole surviving original member of the band. As Zambia’s economy stagnated and the country buckled under the AIDS crisis, WITCH fell apart. Jagari retreated to a life of quasi-anonymity as a university music professor before being wrongfully arrested during Zambia’s toughest hour. Now a man in his 60s, he spends his time mining gemstones hoping to strike it rich, until very recently the band being just a nostalgic memory of his youth. Largely unknown outside of their home country, WITCH finally got the exposure they deserved when Now Again Records reissued their entire discography in 2012. This allowed Jagari to play outside Africa for the first time and for a new generation of fans to discover his music. In 2016 he began a collaboration with Dutch musicians Jacco Gardner and Nic Mauskoviç, and together with them, in September 2017 WITCH headed out on its extremely successful first-ever European Tour. In the Fall of 2019, WITCH embarked on their first North American tour, including a well-received performance at Desert Daze. The band will be returning to the U.S. & Canada, Spring 2022. Look out for the award winning documentary, which will be released in North America on July 13th. PAINTHaving first made his mark as a songwriter and guitarist for Los Angeles’ Allah-Las, Pedrum Siadatian has etched out a place of his own with his solo work as PAINT. What started as modest 4-track experiments quickly took on a life of their own as Pedrum began distilling his musical and lyrical inspirations into something both timeless and new. His miniature menagerie of light-psych and proto-punk gems had outgrown their cassette cage and were now ready to be heard.PAINT’s eponymous debut (Mexican Summer, 2018) appeared out of the ether, fully formed. It was praised for its originality and drew favorable comparisons to the likes of Kevin Ayers, Lou Reed and Julian Cope. The mess was the message and the decidedly mid-fi production found Siadatian both honoring and eschewing tradition. The album was accompanied by videos for the singles “Daily Gazette” and “Moldy Man,” both directed by Sam Kristofski (Connan Mockasin, Pond), with select performances in North America, UK, and Europe.This year sees PAINT returning with the release of the ambitious Spiritual Vegas. While Ray Davies-smirks and Kevin Ayers-wit abound, Siadatian’s singular touch is unmistakable. Joined once again by producer / engineer Frank Maston at the helm, Spiritual Vegas features a rogue’s gallery of players with performances by Jackson Macintosh (TOPS, Sheer Agony) on bass and guitar, Nick Murray (White Fence, Oh Sees) on drums, and brothers-in-Las Spencer Dunham and Matt Correia on bass and percussion respectively.
Music of Grateful Dead for Kids + More
ALL AGES STANDING ROOM ONLY KIDS UNDER 1 FREE The Rock and Roll Playhouse, a family concert series hosted at historic music venues across the country, allows kids to “move, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history, The Rock and Roll Playhouse band offers its core audience of families with children age ten and under games, movement, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show! This concert for kids and families shares the music of the artist named above with a new generation of music lovers, but is not associated with or endorsed by the artist. All children must be accompanied by a parent or adult caregiver. The Rock and Roll Playhouse knows that little ears are sensitive, so we turn down the volume at our shows. However, all kids experience music differently and you may find that your child is more comfortable wearing hearing protection earmuffs, such as Baby Banz, which are available for purchase here. By attending this event, I consent to my image (with or without my voice) being included in photographs and/or film and videotape of the event, and give BBNY, The Rock and Roll Playhouse and their respective licensees and assigns the absolute and irrevocable right and permission to use and publish such content in any and all media, whether now known or hereafter developed.
Music of The Beatles for Kids + More
ALL AGES STANDING ROOM ONLY KIDS UNDER 1 FREE The Rock and Roll Playhouse, a family concert series hosted at historic music venues across the country, allows kids to “move, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history, The Rock and Roll Playhouse band offers its core audience of families with children age ten and under games, movement, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show! This concert for kids and families shares the music of the artist named above with a new generation of music lovers, but is not associated with or endorsed by the artist. All children must be accompanied by a parent or adult caregiver. The Rock and Roll Playhouse knows that little ears are sensitive, so we turn down the volume at our shows. However, all kids experience music differently and you may find that your child is more comfortable wearing hearing protection earmuffs, such as Baby Banz, which are available for purchase here. By attending this event, I consent to my image (with or without my voice) being included in photographs and/or film and videotape of the event, and give BBNY, The Rock and Roll Playhouse and their respective licensees and assigns the absolute and irrevocable right and permission to use and publish such content in any and all media, whether now known or hereafter developed.
Will Sheff / Okkervil River
– WITH mmeadows- ALL AGES- STANDING ROOM ONLYWILL SHEFF / OKKERVIL RIVER After nine critically acclaimed albums, after twenty bandmates, after countless bars and clubs and theaters and festivals, after two full decades, Will Sheff is letting Okkervil River drift out to sea with Nothing Special, a rich and cinematic collection that marks the acclaimed indie songwriter’s first release under his own name. Written through a period of painful loss and deep transformation and recorded with a mix of old friends and new collaborators (including singer/songwriter Christian Lee Hutson, Dawes drummer Griffin Goldsmith, and Death Cab For Cutie pianist Zac Rae), the record represents more than just a change in name; it’s an act of liberation and self-determination, an emotionally raw reckoning with grief, identity, and hope that blurs the lines between fiction and autobiography, surrealism and humor, stoicism and a deepening spirituality. Formed in Austin, TX, Okkervil River embraced both frenetic rock and cerebral complexity as bandmates came and went over its twenty year run, but the group’s north star always remained firmly fixed in Sheff’s emotional vocals and striking lyrics, which could turn even the most seemingly mundane observations into profound philosophical revelations. NPR hailed the New Hampshire native’s “dazzling” way with words, while Pitchfork declared him “one of indie rock’s most ambitious thinkers,” and The New York Times raved that he “writes like a novelist.” With Nothing Special, Sheff begins his next and most compelling chapter yet.mmeadowsFor musicians Kristin Slipp and Cole Kamen-Green, mmeadows is a means of survival, an outlet to anchor themselves from the currents of life. Fluid and rhythmic, organic and electronic, their singular alt-pop songcraft is the synthesis of complementary talents, mutual trust, and years of partnership. Each brings a distinct background to the sound: Slipp is a current member of Dirty Projectors, with writing and performance credits on their 2020 release 5 EPs. She grew up in Maine, devoting herself to the choir and a true New England-kind of work ethic which has since flourished in New York City’s music community. Kamen-Green has worked with Beyonce, writing and performing horns on Beyonce and Four, as well as projects with Diana Ross, Harry Styles, Laurie Anderson, Meshell Ndegeocello, and Taylor Swift. He came up as a ‘90s kid in lower Manhattan, immersed in the cultures of hip-hop, dance music, and jazz (his uncle is the avant-garde drummer Joey Baron). All the varying hues oftheir influences now filter into Light Moves Around You, the duo’s full-length debut, a dynamic and deeply-honed collection of pop songs that silence chaos and celebrate the tender acts of making space and taking care.
Red Clay Strays: Way Too Long Tour
– ALL AGES- STANDING ROOM ONLYRED CLAY STRAYS With a sound as classic as the crackling of a Sun Records vinyl still spinning somewhere in Memphis, yet as fresh as the musical stylings of the 21st century, The Red Clay Strays are busy making waves with their spellbinding and genre-bending brand of tunes. Reminiscent of the vibrant heyday of southern music, the band finds their origins in the styles of classic country, rockabilly, and gospel-fed soul all the while ushering in a new era of rock-and-roll that is as distinctive as the men who form it. Born and bred in the red dirt clay of south Alabama, Brandon Coleman (lead vocals/guitar), Drew Nix (vocals/electric guitar/harmonica), Zach Rishel (electric guitar), Andrew Bishop (bass) and John Hall (drums), blended their unique individualities and influences together to create a band with a rare sincerity that is not often seen in today’s industry. They have spent the past five years cutting their teeth in the Gulf Coast music scene while simultaneously running the roads discovering who they are and where they belong in the world as they plant roots in towns big and small across the country by burning down every stage they step on—proverbially, of course. Their high-energy, emotive stage presence is as lively as their melodies, though they possess an uncanny knack for tuning into their softer side when the song warrants it. Whether the song has listeners tapping their toes and shaking their hips as in previous singles such as “Good Godly Woman” and “Doin’ Time,” or tugging on the heartstrings in ballads like “Wondering Why” and “Heavy Heart” off their upcoming debut album, the band displays their penchant for storytelling in any song they sing. For The Red Clay Strays, music is simply a way of life—they eat, sleep, live, and breathe it—which is emphasized by their passionate artistic integrity as there is evidently nowhere else they would rather be. At best, they are well on their way to being America’s next big thing, but at the heart of the matter they’re just five guys from Mobile, Alabama who want to play their music and fellowship with people while they do it.Meg McRee After attending Vanderbilt University on a full academic scholarship, Meg McRee traded her newly earned degree for the pursuit of an unpredictable dream as a songwriter. After a few years of waitressing at The Listening Room and nannying in between co-writes, McRee was validated as more than a driven idealist with the signing of her first publishing deal at Hang Your Hat, a creative joint venture with Concord Music Publishing and hit-songwriter Hillary Lindsey. Since, her musical prowess has earned her cuts with Grace Potter, Elle King, Caylee Hammack, Paul Cauthen, Carter Faith, Ben Chapman, Lauren Watkins, Harper O’Neill and more. As she proved her chops in the writing room, McRee toured singing background vocals and playing fiddle with Ben Chapman and Hailey Whitters before making the leap into her own artistic journey with the recording and release of her debut record Is It Just Me?, an album founded upon pleasantly unpredictable melodies, inquisition, and warm-hearted poetry that will make your feelings make sense.
Rooster at The Outpost
– ALL AGES- THE OUTPOST (521 AMBOY RD)- FREE / $10 SUGGESTED DONATION AT DOORROOSTERAsheville band Rooster is Annie Myers and Erin Kinard and was formed in 2016 around a campfire, but the two had performed separately for many years prior. Since then, they have performed throughout Western North Carolina, creating new songs and arrangements of beloved Americana. They perform an energetic combination of folk country and classic Americana, driven by their powerful vocal harmony and soulful drum/guitar instrumentation. Rooster’s debut album ‘Bloodroot’ was recorded in Swannanoa in 2019, released in March of 2020 and made it on WNCW’s top 100 albums of that year. Their orchestrations are clean and uncluttered, but with a raw, gritty edge. They seem right at home in a coffee house, wine bar, brew pub, honky-tonk or at a backyard barbecue.
Dave Desmelik at The Outpost
– ALL AGES- THE OUTPOST (521 AMBOY RD)- FREE / $10 SUGGESTED DONATION AT DOORDAVE DESMELIK “A superb example of all that is good in Roots/Americana music today.” -lonesomehighway.com Dave Desmelik is a singer-songwriter and instrumentalist whose musical focus is on original compositions. What attracts listeners to Desmelik’s tunes, old and new, is the element of authenticity incorporated in them. There is no sugar coating involved. His songs are not wrapped in false smiles, rather they are stark and open and tend to settle on the pulse of everyday life. An unclosed and evolving journal of thoughts set to music and melodies in prose and instrumental performance. If you listen to Dave Desmelik’s songs, whether lyrical or instrumental, you may become pleasantly fixed in the simplistic realness of them and if you hear Desmelik in a live setting you may realize that there are no tricks, just a genuine venture into the highs and lows of life.
Alex Krug Combo: Alex’s Bday and the combo’s single release party at The Outpost
– ALL AGES- THE OUTPOST (521 AMBOY RD)- FREE / $10 SUGGESTED DONATION AT DOORALEX KRUG COMBO Life is at its very core about exploring. We can remain stagnant and rooted in place, or we can take a page out of Alex Krug Combo’s playbook and dive headfirst. The thrill of adventure looms ahead of this band. Their Psychedelic Smoky Mountain Americana strikes a stunningly evocative chord about life, being an outsider and the kind of heartache and healing that transforms your soul.
12Eleven at The Outpost
– ALL AGES- THE OUTPOST (521 AMBOY RD)- FREE / $10 SUGGESTED DONATION AT DOOR12Eleven12Eleven is a collaborative project that was formed in the Southeast United States in the spring of 2019. Originally music students, Daniel Alvarado (Guitar) Eric McCauley (E-Macc, Lead vocals/Sax) Denver Wallace (Bass) & Pierce Gilmore (Drums) began performing together at local venues in their college town of Troy, Alabama. That summer, 12Eleven was introduced to the Florida panhandle as it began to expand out of central Alabama. The soulful R&B and Pop was a refreshing take for an area used to a different style. After gaining experience playing a high-volume schedule in the panhandle, 12Eleven began self-producing its first official project in 2020. On March 17th, 12Eleven dropped “You Up?”, its debut single. 12Eleven’s newest single will be released July 28th, 2022.
The Lil Smokies
– ALL AGES- STANDING ROOM ONLYTHE LIL SMOKIES Blending virtuosic instrumental acrobatics with riveting lyrical craftsmanship, The Lil Smokies have earned a reputation as one of the most electrifying acts in modern American roots music thanks to their exhilarating live show and critically acclaimed studio output. Since forming on the streets of Missoula, Montana, where the group got its start busking back in 2009, the band has performed everywhere from Red Rocks to The Rialto and captivated festival audiences at Telluride, High Sierra, LOCKN’, Freshgrass, FloydFest, and countless more. Their latest album, 2020’s Tornillo, showcases the hard touring five-piece at its most adventurous, teaming up with producer Bill Reynolds (The Avett Brothers, Band Of Horses) for a genre-bending joyride from the hills of Laurel Canyon to the wide-open deserts of West Texas. The Lil Smokies are: Andy Dunnigan – Dobro, Vocals Matthew Rieger – Guitar, Vocals Jake Simpson – Fiddle, Vocals Jean-Luc Davis – Upright Bass Caleb Dostal – BanjoTWO RUNNERTwo Runner is Paige Anderson and Emilie Rose. The American Roots duo from Northern California embody the hills they grew up in. Through the mediums of clawhammer banjo, flatpicking guitar, vocal harmonies, and oldtime fiddle, Two Runner puts a hip take on the Appalachian feel.
