Built To Spill: “There’s Nothing Wrong With Love” 30th Anniversary Tour
ALL AGESSTANDING ROOM ONLYBUILT TO SPILL Built to Spill is an indie rock band from Boise, ID, formed in 1992 by guitarist/vocalist Doug Martsch. In 2024 they celebrate 30 years of “There’s’ Nothing Wrong with Love, their second full-length album, performing it in its entirely. For this celebration tour the band also brings the recording’s original cello player, John McMahon. Known as well for their rotating line up, Built to Spill currently counts with Melanie Radford on bass and Teresa Esguerra on drums miniaturizedBorn in 2022 from members of some of the city’s most cherished acts (Pinback, Rocket From the Crypt, No Knife, Buckfast Superbee), San Diego-based miniaturized was initially formed as a one-off project for a MusiCares charity show honoring Tom Petty. Indie-rock bard/frontman Timothy Joseph found inspiration from dissecting Petty’s songwriting, coming to revelations about his own work as a musician in the process. With a sudden fresh perspective, he began composing all original material that would shape the future of the band into something all its own. miniaturized is, at its core, a rock band. Still, the sound is so sweeping and vibrant that it overflows, spilling into the more nuanced realms of pop and indie rock and nods to iconic alternative rock of decades past such as Pixies, Built to Spill, The Cure, Jesus and Mary Chain, and early R.E.M.With their live performances on the west coast garnering them a fervent following, the band has burst into the public eye as something completely new. Their sound has blurred the lines between the angular, edgy sonics of the members’ previous efforts and emotional, connective song- craft. The earnest assertion of singer Timothy Joseph’s voice and lyrics draws listeners in with uncertain familiarity. On top of their live appearances so far, their singles ‘Cave in’ and ‘miniaturized’ have captured significant media attention , the latter in regular rotation on 91X FM.
Brijean
ALL AGESSTANDING ROOM ONLYBRIJEAN Brijean is the duo of percussionist and singer-songwriter Brijean Murphy and multi-instrumentalist and producer Doug Stuart, and together they make dance music for the mind, body and soul, evoking 70s disco, 90s house and sly pop sensibilities. Their debut album Feelings arrived via Ghostly International in February 2021, a golden-hued dream pop tropicalia of dazzling beats and honeyed vocals; remixes from Buscabulla, Sam Gendel, DRAMA and Rick Wade followed. In August of 2022 they released Angelo — an EP, named after Murphy’s recently purchased 1981 Toyota Celica, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds them processing the impossible the only way they know how: through rhythm and movement. The months surrounding Feelings, which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what happens now?” COLLOBOH Colloboh (a portmanteau of Collins Oboh) is a Nigerian-born, Los Angeles-based experimental producer and composer who has spent the past several years cultivating genre-spanning modular wizardry. A self-taught synthesist, Colloboh’s DIY recording diaries (still archived on Instagram) quickly amassed a dedicated online following, eventually catching the eye of Leaving Records founder, MatthewDavid, who wasted no time tapping the then-twenty-six-year-old to perform at the monthly Leaving showcase, Listen to Music Outside In The Daylight Under a Tree. In 2021, Colloboh permanently relocated to Los Angeles from Baltimore, dedicating himself to music full-time, and quickly becoming a fixture of the city’s vibrant experimental scene. Whereas Colloboh’s debut EP Entity Relation (released that same year) dove headlong into club beats, Saana Sahel, out May 5th 2023 on Leaving Records, showcases the breadth of the fledgling composer’s ambitions.
OUTPOST: Five Door Sedan + Wim Tapley
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Five Door Sedan is an indie rock group from Charleston, SC. Their new sound blends the improvisation and raw emotion of psychedelic rock with a modern feel of carefully orchestrated, catchy indie rock music. Tight rhythms, deep lyrics, and passionate playing make this band a powerhouse of musicality. The 5 piece band, (formerly Dacota Muckey and The Trip) brings a unique twist with sultry saxophone and layers of melodic synths. Wim Tapley is based in Athens, GA, and has been touring the east coast with his band, the Cannons, since 2021. Wim’s original music is a crowd pleasing mix of Rock, Pop, Folk, and Americana that provides something for everyone (Wim Tapley Spotify). Wim and his band have played some historic venues in the southeast including a sold out Georgia Theatre and the 40 Watt Club, the latter of which he has headlined multiple times. He has also opened for notable acts such as the Vegabonds and Flipturn.With local support from The Old Futures.
Pedro The Lion
ALL AGESSTANDING ROOM ONLYPEDRO THE LIONEarly into Santa Cruz, the poignant third album in David Bazan’s ongoing musical memoir of his sometimes-uncanny life, he discovers the Beatles. He is the new kid from Arizona in a new school in the famous California coastal town where his dad has accepted another post at a Bible college. He and his first friend there, Matt, are sitting on the carpet in Matt’s little bedroom, flipping through the records bequeathed by his father, when Bazan spots a familiar cover—The White Album, known only from a church documentary that warned children of the Satanic secrets of “Revolution 9.” Play it backwards, the propaganda said, and it would offer a command: “Turn me on, dead man.”So, of course, the kids played it forward and were fascinated by the sound, by the imagination, by the act of consecrated creativity far outside of Christian rock. Bazan was 13. “Treading water on the open ocean/Then you threw me out a life ring,” he sings, the smile obvious just through the sound as the beat picks up like a racing pulse, more than three decades later. “All I needed was a little help from a friend.” That is the moment where, in many ways, the remarkable songs of Pedro the Lion begin to take shape.In 2019, after a 15-year break filled with solo records and side-projects, Bazan returned to the moniker under which he had become one of indie rock’s most identifiable voices and incisive songwriters, Pedro the Lion. He sort of stumbled into 2019’s Phoenix, a charged chronicle of his childhood there, while spending the night with his grandparents during a tour stop. But he soon understood that unpacking his peripatetic youth, where his music minister father shifted around the country like a Marine moving bases, was helpful, healing, and maybe even interesting. The gripping Havasu followed in 2022. Bazan was onto something, untangling all the ways his past had both shaped and misshaped his present inside some of his best songs ever.That past truly begins to become the present on Santa Cruz, the most fraught and frank album yet in a planned five-album arc; this one covers a little less than a decade, from just after he turned 13 until he turns toward adulthood around 21. These songs ripple with the anxiety and energy of teenage awakening—of hearing rock ’n’ roll, of understanding that independent music exists, of making out with an older schoolmate in deepest secret, of falling in love, of finally starting to understand that in order to be yourself you’re going to need to be something other than your parents’ vision of you. It is the rawest, most affecting and affirming album Pedro the Lion has ever made.FLOCK OF DIMESJenn Wasner is a multi-instrumentalist, vocalist, producer, and songwriter based in Durham, North Carolina by way of Baltimore. She releases solo music under the name Flock of Dimes, and as half of beloved duo Wye Oak. Wasner is also a member of Bon Iver, and ofSylvan Esso’s extended live lineup. Over the years, Wasner has collaborated with Future Islands, Helado Negro, Sharon Van Etten, Deerhoof, Shearwater, William Brittelle, and many other artists. She also produced Madeline Kenney’s Sucker’s Lunch (2020) and Perfect Shapes (2018). Flock of Dimes’ latest solo LP, ‘Head of Roses,’ (Sub Pop, 2021) follows a winding thread of intuition into the unknown and into healing, led by gut feelings and the near-spiritual experience of visceral songwriting.
Mildlife
ALL AGESSTANDING ROOM ONLYMILDLIFEADAM HALLIWELL
Drivin n Cryin
ALL AGESSTANDING ROOM ONLYDRIVIN N CRYINIn 1985 Drivin N Cryin played their first show at Atlanta’s famed 688 Club. Recent inductees to the Georgia Music Hall of Fame and the Wisconsin Music Hall of Fame, founding members Kevn Kinney and Tim Nielsen find themselves enjoying a continued legacy, having survived the pressures of fame, a shifting musical landscape and multiple lineup changes. The current lineup includes guitarist Laur Joamets (Sturgill Simpson) and longtime drummer Dave V Johnson.Best known for radio hits “Fly Me Courageous,” “Honeysuckle Blue”, “Let’s Go Dancin’”, “To Build A Fire,” “The Innocent” and stand out anthem “Straight To Hell,” they’ve toured all over the US and abroad including recent runs with Hootie & The Blowfish, The Black Crowes, Blackberry Smoke, Marshall Tucker Band, Soul Asylum and Jason Isbell. THE GLENMONT POPES
PATIO: Chris Wilhelm
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVECHRIS WILHELM Chris Wilhelm is known for bringing positive vibes and an uplifting message to his audience. He plays Americana, folk rock originals that are infectious and insightful, and sprinkles in covers too. Worldwide airplay brought his latest album “This Too Shall Pass” to be one of the Top 100 Alt-Country Albums of 2020, and it spent several months on the national folk charts as well. Chris Wilhelm is a songcatcher and live performer. He made guitars out of cardboard before getting his first one at 13. Born in Hudson, NY, he later moved to Albany, NY, then Boston, and currently lives in Asheville, NC. He has released nine records and played thousands of shows. He has performed in theaters, concert venues, festivals, clubs, bars, libraries, retirement homes, subways, performed on the street and even played at a marathon. He played over 200 shows a year for several years. In 2000 Chris played his first open mic and has been performing live and recording ever since. He’s performed thousands of shows from the subways in Boston to venues up and down the East Coast. In 2004, Chris released his first album, “McKinsley Steel” – it is well loved by many of his fans and includes classic songs such as “Travellin’ on Down” and the title track. In 2005 he released an album called “This Train’s Not Going Slow.” It reached #3 on Boston’s 88.7FM WERS radio charts, and he played shows in many Boston venues including Club Passim, etc. In 2008 Chris did his first solo tour, down to New Orleans and back to Boston. He released his second studio album, “Glory, Filth and Fame.” From 2012-2015 he played 225 shows a year as the singer-songwriter for The Wilhelm Brothers. They released two studio albums with Henry Hirsch, producer of Lenny Kravitz, Madonna, etc.: “Lay Your Burden Down” and “The Sea of the Unwritten.” They also released live album “Like a Bird.” 2021 saw the online release of “Joseph’s Garage”- 12 new home demos recorded on a Tascam 4-track tape machine. Inspired by the Bruce Springsteen album, “Nebraska,” which was recorded on similar equipment.
OUTPOST:The Lumpy Heads
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE After three years in the musical nursery of their weekly residency in Downtown Asheville, these phish are swimming out, and you can catch them at The Outpost! Alex Bazemore on Guitar, Hannah Ramsey on Keyboards, Ryan Crabtree on bass, and Benjamin Falcon on drums. Playing the music of Phish and other artist’s material they have covered over their career. Focusing on performing in the style of Phish, The Lumpy Heads aims to create an experience like their live shows. Come share in the groove!
Grey Eagle 30th Anniversary w/ Budos Band, Amy Ray Band and more!
THIS SHOW HAS BEEN MOVED FROM THE OUTPOST TO THE GREY EAGLE (AT 185 CLINGMAN AVE) Doors: 5:00pmGreenliners: 6:00pm (Patio)Amy Ray Band: 7:00pmElectro Lust: 9:00pmBudos Band: 10:45pm BUDOS BAND After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos’ saxophonist Jared Tankel and guitarist Tom Brenneck. The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution. “It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.” As a result, Frontier’s Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective. “We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.” Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm. Dime the volume and behold The Budos. AMY RAY BAND A lot of artists defy categorization. Some do so because they are tirelessly searching for the place they fit, while others are constantly chasing trends. Some, though, are genuinely exploring and expressing their myriad influences. Amy Ray belongs in the latter group. Pulling from every direction — Patty Griffin to Patti Smith, Big Star to Bon Iver — Ray’s music might best be described as folk-rock, though even that would be a tough sell, depending on the song. Ray’s musical beginnings trace back to her high school days in Atlanta, Georgia, when she and Emily Saliers formed the duo that would become the Indigo Girls. Their story started in 1981 with a basement tape called “Tuesday’s Children” and went on to include a deal with Epic Records in 1988, a Grammy in 1990, and nearly 20 albums over more than 35 years. Rooted in shared passions for harmony and justice, the Indigo Girls have forged a career that combines artistry and activism to push against every boundary and box anyone tries to put them in. As activists, they have supported as many great causes as they can, from LGBTQ+ rights to voter registration, going so far as to co-found a Native environmental justice organization, Honor the Earth, with Winona LaDuke in 1993. As artists, they have dipped their toes into a similar multitude of waters — folk, rock, country, pop, and more — but the resulting releases are always pure Indigo. THE GREENLINERS ELECTRO LUST
JigJam
ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEJIGJAM When virtuoso Irish playing jumps the pond running naked through the wide open fields of bluegrass/Americana JigJam is born. Bluegrass and American Folk music originated from the group’s home, and now JigJam is here to take it back! JigJam made its Grand Ole Opry Debut in Nashville in March 2023 to critical acclaim receiving a standing ovation from a sold-out crowd on Country Music’s biggest stage. The group was joined on the night by Garth Brooks, Trisha Yearwood, Steve Earle, Lauren Alaina, and many more. This Offaly and Tipperary-born band has started the first wave of attack in the new Irish invasion of Americana. ‘Foot stomping’, ‘high energy’ badassery is what you’re in for when you see this musical powerhouse live in concert. Founding members from Offaly Jamie McKeogh (Lead singer and guitar) and Daithi Melia (5 String Banjo and Dobro) were joined by Tipperary-born Gavin Strappe (Mandolin and Tenor Banjo) in 2016. This year they are joined by Kevin Buckley (Fiddle) to make up this iGrass (Irish Bluegrass) quartet. Described as ‘The best Irish band in bluegrass’ and ‘sparkling, infectious’ these lads have been hailed as ‘Ireland’s answer to New Grass Revival’ Bluegrass has its roots in Irish music and Irish immigration. iGrass and JigJam is what happens when the Irish find their prodigal son.
