Kashus Culpepper
ALL AGESSTANDING ROOM ONLYKASHUS CULPEPPER26-year-old Navy veteran Kashus Culpepper was born and raised in Alexander City, Alabama where he grew up singing in church and discovered the beauty of music of all genres. With influences ranging from Stevie Wonder and Howlin’ Wolf to Chris Stapleton and Ray Lamontagne, Kashus has developed his own unique singing style that has inspired crowds throughout Alabama and the Mississippi Gulf Coast where he became a fixture in the music scene playing covers and originals five nights a week. While playing in cover bars helped pay the bills, Kashus knew early on that he would much prefer that audiences sing along to his own original songs rather than the songs of others. It was with that in mind that he made the move to Nashville Tennessee where he has been welcomed by the songwriting and artist community. He has since written some amazing songs that remain rooted in country, but reflect the wide range of music and artistry that have influenced him throughout his life. Be on the lookout for some of those songs to hit streaming platforms in the months ahead. BRENDAN WALTER Brendan Walter is a Dallas, TX, born and raised, singer/songwriter. For the last 18 years of his life he has been a semi-professional/collegiate hockey player and since retiring, in May of 2023, has been following his lifelong passion of being a musician. He has amassed over 150k followers between Instagram and TikTok, posting videos of covers and original music which has opened up the doors for him to perform live around the country and begin his dream of becoming a star in the music industry.
Flight Attendant w/ ¿WATCHES?
ALL AGESSTANDING ROOM ONLYFLIGHT ATTENDANT “Flight Attendant delivers an experience.” – RollingStone Magazine Frequently called a “sonic unicorn” in a city that is celebrated for its bustling – albeit crowded – music scene, Flight Attendant is the kind of band that has listeners getting out of their seats and into their full, upright positions. With their power-pop hooks and infectious energy, this Nashville-based foursome isn’t just ready for take-off; they’re already at cruising altitude, preparing to penetrate the bounds of the Earth’s stratosphere. Serendipitously coming together through similar interests – not the least of which is fine wine – Flight Attendant is comprised of Karalyne Winegarner (Lead Vocals, Keys); Vinny Maniscalco (Vocals, Guitar); Nikki Christie (Vocals, Viola); and Derek Sprague (Drums). A certified sommelier originally from Kansas City, Karalyne met Vinny – an award-winning bartender – while the two were working at a popular Nashville restaurant. Nikki soon joined the team, bringing a new sensibility from her hometown, Los Angeles. It didn’t take long before the three decided to form a band, discovering their shared love of playing music over late-night wine tastings. They soon recruited Derek – their Boston-born, lager-loving drinking buddy to play drums, and the lineup was complete. Often compared to bands like Haim or Florence and the Machine and influenced by many of their favorites from Christine and the Queens to Trent Reznor to Cage the Elephant – , Flight Attendant continues to reach new heights, particularly when they perform live. “Karalyne commands your attention like Freddie Mercury working the crowd in an arena,” proclaimed Glide Magazine. In 2022, Flight Attendant released their self-titled debut album, produced by Grammy Winning engineer and producer, Charles Yingling. As the band is quickly ascending on the global stage, they continue to release new music in 2024. “We just want to put out better and better stuff,” shares Karalyne. “The more we do it, the more elevated the whole process becomes. We are finally strong enough in our image, sound, and brand that we are ready to take it to the next level.” ¿WATCHES? WHO IS ¿WATCHES? -The musical equivalent of a razor blade haircut. -David Lynch and Mike Watt engaged in a palm-spit handshake. -Satan in a short dress and an Orioles hat. -A fast and animated weirdo punk duo out of Asheville, NC. FANTOMEX Fantømex is an indie punk, post-harcore band from Western North Carolina. Influenced by bands like mewithoutYou and At the Drive-In, Fantømex’s music is fast, loud and full of angsty femme empowerment. The band released February 2024, they are set to have their third release with their EP, “Chimera”, the sister EP to 2022’s “Terraformed”. Fantomex’s live shows are a hypnotic and high energy performance that borders on theatrical. They are a performance not to be missed.
THE ERAS PARTY – A Taylor Swift Inspired Dance Party
– ALL AGES- STANDING/DANCING ROOM ONLYTHE ERAS PARTY – A Taylor Swift Inspired Dance PartyDJ playing Taylor through her eras, costume contest, lipsync battle, themed photo areas, free koozie, bracelet trading, and more!
Eric Travers ‘Dead End Street’ HOMETOWN PREMIERE
ALL AGESSTANDING ROOM ONLYERIC TRAVERS BAND29 year old, Eric Travers has found his way back home playing his drums, guitar, keyboard and blowin’ on his blues harp in Black Mountain, NC writing his next album with a new lineup. The Asheville, NC-based group plays Rock N Roll Blues, Americana, and Rhythm & Blues roots! Eric Travers Band is also bringing a hometown nostalgia feeling with their DEBUT SINGLE to be released on May/20 at The RailYard Outdoor Stage Grand Opening Celebration. They will be playing at the upcoming Asheville Fest this summer and the Band just welcomed two new members Dorsey Parker and Ian Harrod. Ian is a great singer and bass player and along with Dorsey’s guitar expertise, they make a great team. They’ve been jammin’ together for 10+ years! Learn more about the Eric Travers Band. His small town stomping grounds always welcome him after long tours with Travers Brothership. In 2019, they played 200+ shows in 9 countries! Eric began writing songs and formed his fourth band by the age of 15 with his twin brother, Kyle Travers and original members of Travers Brothership. They were blessed to share the stage with Warren Haynes, Moe, Old Crowe Medicine Show, Ivan Neville, Dr. John, Taj Mahal, Jeff Sipe, Karl Denson, Jaimoe, Yonrico Scott and MANY more. Being the same age and growing up with a bit of jam-band roots, some highlights of Eric’s career include sit ins with Marcus King and Billy Strings. Now, with 15 years of touring experience and 35+ songs recorded under his belt, Travers looks to reach for new horizons in 2023 with ETB and his new label, All Aboard Records. PEACOCK PLANETPeacock Planet is the creative project of Louly Peacock and Simeon Hickman. The “Planet” came out with their latest album, Trashee Deevas, in the fall of 2023, featuring Jeff Sipe, Jack C. Mascari, Zack Page and Lyndsay Pruett. Critics praise how Peacock Planet’s miasma of styles condenses down to guitar and keyboard driven progressive rock, harkening back to new wave and jam band roots. Not many write, nor perform, such a crazy, eerie mishmash! Imagine if the B 52s had a baby with Southern Culture on the Skids with Phish as the Godfather.Howie Finkle (bass) and Dana Drevitson (drums) round out the rhythm section and lay down the sonic canvas that provides the creative launchpad of Sim (guitars and vox) and Louly (Vox and Keys and cowbell). Rocky Horror at the discotheque, Peacock Planet will get you shakin’ your mojo bag all night long! (PS: the next album, Moxie Sparklebomb is set to drop in May 2024)
Allah-Las
ALL AGES STANDING ROOM ONLY ALLAH-LAS Are you tired of that same old song? Tune into any alt-rock robo-jock frequency on the FM dial and you’ll know what I mean. Somewhere along the way, nostalgia curdled, and it feels like we’re doomed to hear the same boring souls for eternity. But don’t ask California sons Allah-Las—they wouldn’t know a thing about it. “The Stuff,” which opens the band’s fifth LP, Zuma 85, lays it out: “I don’t listen to the radio/They keep playing that song again/And the deejay’s a computer.” As the glammy, electronic strut of the song indicates, Zuma 85 signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too: The album will be released via their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014). For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. Zuma 85 finds the quartet facing a new world with a wealth of new sounds, drawing from an eclectic mix of progressive rock, prog, kosmische, and Eno-esque art rock, scuzzy Royal Trux riffs, and detouring into tones and textures that call to mind ‘90s and 2000s pop. The album was born, like so much else these days, out of the downtime of 2020-2022. For most of the band’s existence, Allah-Las adhered to a year to album year/tour year schedule, logging serious hours on the road. When the shutdown of 2020 put everything on hold, it opened up space for each member to focus on their own lives and interests, and time to re-envision what creative processes could look like. When it came time to reconvene, that sense of looseness proved pivotal. Instead of bringing finished songs to the studio, they entered the picturesque Panoramic House recording in Stinson Beach (a space co-owned by John Baccigaluppi of Tape Op magazine) with sketches, ideas, and riffs. Working with co-producer Jeremy Harris (White Fence, Devendra Banhart, Sam Gendel) they shaped and crafted the new songs in real time over three sessions, which were then mixed in Los Angeles by frequent collaborator Jarvis Taveniere. Sharing a name with that song is a photo of an abandoned house by California photographer John Divola. Selected by Correia, the band’s resident photography head and album art designer, it juxtaposes a visage of man-made chaos against the natural beauty of the West Coast. It served as an unspoken reference point for the album, a symbolic totem indicative of a new era. A decade and a half into their run as Allah-Las, Correia, Dunham, Michaud, and Siadatian continue on an evolutionary path. Are you tired of the same old songs? So are they. So blow it up and let it rip. MASTON REVERBERATION RADIO
Bendigo Fletcher
ALL AGESSTANDING ROOM ONLYBENDIGO FLETCHERFREE RANGE Sofia Jensen make considered folk rock under the name Free Range. The Chicago-based artist is releasing their debut album Practice on February 17 via Mick Music, and it’s sure to be one of the early highlights of 2023. Today, they’ve shared the album’s third single “Growing Away” and a music video for it directed by Robert Salazar. Free Range’s music makes mature confessionals feel as simple as flicking on a light switch when the sun starts to set. Jensen’s delivery is gentle, even when their lyrics are untangling stormy thoughts. It’s a kind of openness and ease heard in Jeff Tweedy’s or Ben Gibbard’s writing, unveiling comfort in dark truths. Here, Jensen discusses memory loss as a consequence of self-destruction rather than lack of attentiveness. “I let you think that it was accidental,” they sing in the first verse. “When I stopped caring about being careful.” Loss of time and events indicate a loss of something much more—a sense of self. “‘Growing Away’ was written a few months before I ultimately did get sober, and it deals with the realization that I was losing track of who I was,” Jensen says of the new single. “The things I was doing were all controlled by the lack of compassion I had for myself. I felt really disoriented in this haze of memory loss that was becoming a huge part of my life, and I was still at a point where I had no idea how to talk about it with anyone. It was really important for me to write this song I think, because it served as an exercise in acceptance for me for the things I needed to do to finally take care of myself.”
Live Dead & Brothers: An All-Star Celebration of Grateful Dead & Allman Brothers
– ALL AGES- STANDING ROOM ONLYLIVE DEAD & BROTHERS: AN ALL-STAR CELEBRATION OF GRATEFUL DEAD AND ALLMAN BROTHERS BANDPrepare to embark on a mesmerizing journey through the golden era of psychedelic blues and the seeds of the ‘jam band’ scene as Live Dead and Brothers takes the stage. Comprised of actual and legacy members from the extended Grateful Dead and Allman Brothers families, this exceptional ensemble is set to revive the timeless magic of the late 1960s and early 1970s, bringing fans an experience like no other. The line-up is pedigree and generational featuring Les Dudek from The Allman Brothers, original Grateful Dead pianist Tom Constanten, Berry Duane Oakley from The Allman Betts Band, Mark Karan from Bob Weir & Rat Dog, Scott Guberman from Phil Lesh & Friends, and Pete Lavezzoli from Oteil & Friends. Together, these accomplished musicians skillfully recreate the magic of the Grateful Dead and Allman Brothers Band’s co-billed concerts during the period of 1969 to1973. Their performances capture the raw energy, improvisational prowess, and soul-stirring melodies that defined an era of musical innovation. Live Dead and Brothers invites fans, both old and new, to come together and relive the vibrant, transformative spirit of the 60s and 70s. Whether you’re a lifelong devotee of the Grateful Dead and Allman Brothers or discovering their magic for the first time, this is a live music experience that transcends generations.
Scott H. Biram
ALL AGES STANDING ROOM ONLY SCOTT H. BIRAM Scott H. Biram, a proud Texan raised on the outskirts of Austin, is a maverick in the tradition of Doug Sahm, Roky Erickson (13th Floor Elevators) and Gibby Haines (Butthole Surfers). Shortly after releasing his third record (2003’s Lo-Fi Mojo), the 28-year-old’s life was nearly cut short after a near-fatal head-on collision with a big rig semi. He was still bedridden when he made his Rehabilitation Blues EP, the predecessor to his 2005 debut for Bloodshot Records, The Dirty Old One Man Band. Flash forward to 2022. After almost thirty years of tirelessly writing, recording and touring the front and backroads of America as a solo bluesman, collecting a wide array of critical accolades, Biram found himself suddenly stopped cold by the pandemic. Once again, unwilling to allow outsized forces slow him down, he took advantage of the shutdown to write, record and produce nine new songs and two traditional covers for his new album, The One & Only Scott H. Biram, his 13th overall and 9th for Bloodshot Records. The music on The One and Only Scott H. Biram has the down home, in-your-face feel that Biram is noted for. “No Man’s Land” opens with a blues turnaround played on a twanging electric guitar, backed by a stomping bass and drum backbeat. Biram growls out a lyric, describing the hazards of growing up poor in a small Texas town, breathing the fumes from oil wells and brush fires. “I was remembering a bumper sticker I saw as a kid that said, ‘Oil Field Trash and Proud of It!’” “My music has a lot of aggression to it. I express myself without holding back. If you mixed Muddy Waters, Bill Monroe, Jerry Reed, and Black Flag, you’d have a good idea of my sound. It’s punk, blues, country, metal, bluegrass and dirty.” ABE PARTRIDGE Abe Partridge is a heralded musician, singer/songwriter, visual artist, and podcaster based in Mobile, Alabama. His 2018 debut, Cotton Fields and Blood For Days earned him rave reviews, with Tony Paris saying in The Bitter Southerner: “He plays guitar the same way he writes lyrics, bashing the strings with abandon until they are just about to come loose, then beautifully picking the notes until every last word falls into place. More to the point, Partridge writes to make you sit up and think. He wants to jar your reality. Sometimes, his lyrics are sly and subtle. Sometimes they come at you with a roar and thunder, as if the Four Horsemen of the Apocalypse were approaching, and the heavens were opening up to herald a warning.” Since the release of his debut, Partridge has toured relentlessly, including several tours of the Netherlands and the U.K. developing a reputation for moving, passionate, and sometimes comedic, performances at prestigious songwriter festivals such as 30A Songwriters Festival, Frank Brown Songwriters Festival, and Americanafest. He is a regular at the Bluebird Café in Nashville and Eddie’s Attic in Decatur. He has performed on the syndicated radio programs, Mountain Stage and Woodsongs Old Time Radio Hour. He has shared the stage with Morgan Wade, Paul Thorn, Steve Poltz, Dan Bern, Jerry Joseph, Glen Phillips (Toad The Wet Sprocket), Tommy Stinson, Shawn Mullins, John Fullbright, and more.
An Evening With Jonathan Coulton
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEJONATHAN COULTONJonathan Coulton is known for his eclectic catalog of masterful songwriting on subjects from zombies and mad scientists to sad parents and dissatisfied software engineers. He’s written songs for The Good Fight and Braindead TV series, as well as the Portal video games, and Spongebob Squarepants: The Broadway Musical. He was the house musician for the NPR show Ask Me Another and is the host and namesake of an annual floating nerd convention called JoCo Cruise.
Aaron Lee Tasjan
– ALL AGES- STANDING ROOM ONLYAARON LEE TASJANSinger, songwriter, guitarist, producer, band leader, activist, and Grammy nominee. Aaron Lee Tasjan has been and continues to be all of these things. Over his past decade plus of writing, recording, producing, Tasjan has released four excellent and critically acclaimed solo albums, toured the world over on his own and as the guitarist in the New York Dolls. He co-founded and co-wrote all of the material for the band Semi Precious Weapons. In 2021 he was nominated for a Grammy for his writing on Yola’s “Diamond Studded Shoes” and most recently, Tasjan produced Mya Byrne’s album Rhinestone Tomboy (Kill Rock Stars Nashville) which helped to establish her as one of the first openly trans artists in Americana Music. He’s cultivated a brilliant and outstanding career to date already. But his forthcoming album Stellar Evolution (Blue Élan Records) is just what the title says. Tasjan’s new album is truly the sum of all of the parts of his diverse accomplishments to date while clearly heading in a brand-new direction. You can’t put any labels on Stellar Evolution except for it being a career defining work and a major leap forward for someone who’s never been afraid to push the boundaries of any and all expectations. As he set out to work on Stellar Evolution, Tasjan knew better than ever what was important to him. He’s been working his way towards a record like this since he first started making solo albums, with 2015’s In the Blazes. He stuck to an alt-country paradigm early in his career, though he knew that all of his favorite artists were the ones who broke out of their own boxes. His approach to that changed when he began to be more open about his queer identity. “The record became a sort of rallying cry for being who you are in a time when people literally wanna try to make it illegal to do that.” There’s not a wasted word on Stellar Evolution, and that’s deliberate. After everything he’s been through and everything he’s learned, Aaron Lee Tasjan is a more intentional artist than ever before. “When you’re a touring artist, songs are like mantras; you have to say them every night. And so I really wanted those words to be affirming, and for the energy that’s gonna come out of them to create more of what I hope to foster,” he says. It’s another grasp towards the community and connection that matters most to Tasjan. “The role I feel like I can occupy is to say, okay, I’m gonna be in these rooms where people are gonna be paying attention, and somebody’s gonna get lifted up; who’s it gonna be?” That’s an attitude that harkens right back to the 11-year-old Aaron Lee in Orange County, a throughline that Tasjan never loses sight of for a minute across this album. With Stellar Evolution, he honors that kid and every other version of himself — past, present and future.MOLLY MARTIN
