James McMurtry
– ALL AGES- STANDING ROOM ONLYJAMES McMURTRY In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, out August 20, 2021 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.” The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan (2012’s Tempest) and David Crosby (2016’s Lighthouse) as well as Browne himself for I’m Alive (1993) and New Found Glory, Coming Home (2006). McMurtry and Hogarth first worked together 30 years ago, when Hogarth was a recording engineer in the employ of John Mellencamp at Mellencamp’s own Belmont Studios near Bloomington, Indiana. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland, for Columbia Records and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods, for Sugar Hill Records. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work. Accordingly, the new collection marks another upward trajectory: The Horses and the Hounds will be McMurtry’s debut album on genre-defining Americana record label New West Records (Steve Earle, Rodney Crowell, Lucinda Williams, John Hiatt, Aaron Lee Tasjan, Buddy Miller, dozens more). BETTYSOOBettySoo’s vocal prowess is a thing of wonder. A world-class instrument of deft phrasing and purity, a voice that knows when to hold back and when to dive in. At her own live shows, taking a verse onstage with friends or singing harmonies in sessions with Austin’s finest, BettySoo sings with consummate loveliness and self-assurance. A voice that knows the roots of American music inside and out; coming from a most unexpected place – a diminutive Korean-American with a deceptively girl-next-door demeanor. Touring the unforgiving circuit of listening rooms, clubs and festivals, BettySoo has mastered the art of performance. A funny anecdote sets up a song of heartbreak and need; a witty rejoinder belies the dark truths that underpin much of her work.
OUTPOST: Garcia Peoples & Chris Forsyth
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEGARCIA PEOPLES Formed in New Jersey by guitarists Tom Malach and Danny Arakaki, the band took a few years to find their flying shape, solidifying into a lineup with Danny’s brother Cesar on drums and Derek Spaldo on bass by mid-2016. Ramping up their acceleration around the time of their 2018 Cosmic Cash debut on Beyond Beyond Is Beyond Records, they’ve blasted through residencies and new songs and sessions and collaborations, relocating to New York, picking up two new members in keyboardist/multi-instrumentalist Pat Gubler and bassist Andy Cush, and leaving a trail of live tapes in their wake. This year, they’ve delivered not one but two new albums for BBiB: the sleek and song-oriented Natural Facts and the sprawling improvisatory opus of One Step Behind. 2019 also saw the first performances by the full Garcia Peoples lineup, a six-person behemoth with Spaldo on third guitar. With a stash of live recordings accumulating at the Live Music Archive, Garcia Peoples’ music is very much a living entity. Since the release of their previous two albums, songs have started to expand, jam suites have grown, and experiments have been undertaken. The first part of 2019 has seen Garcia Peoples back Philadelphia guitarist Chris Forsyth (an expanded Solar Peoples Band has hit double-drummer overdrive several times now), and joined with guitarist Ryley Walker. They’ve improvised on WFMU, and jammed with the sounds of ocean waves and falling rain at strange late night happenings. Probably something else new and wonderful and weird has happened in the Garciaverse since I wrote this. Whether or not you thought you knew Garcia Peoples’ music, One Step Behind is something new and beautiful, for new heads and old. No matter where you stand–behind, beyond, or another plane altogether–One Step Behind is ready. For those about to get on the Bus, we salute you. Chris ForsythChris Forsyth connects the dots between between anthemic art rock, chiming atmospherics, and motorik precision in taut compositions and mercurial improvisations that have earned the Philadelphia-based guitarist a unique reputation as a leading guitar stylist for jam and non-jam band fans alike.
OUTPOST: The Resilience Festival
– ALL AGES- RAIN OR SHINE- 2PM-9PM- $35 TIX FOR THOSE WHO BIKE TO THE EVENTKUF KNOTZ & CHRISTINE ELISEAMANDA ANNE PLATT • THE MOON & YOUDIDGERIDOO BREATHWORK JOURNEYVALORIE MILLER • CAROLINA DIVA DIAMONDZRYAN FURSTENBERG • TAI CHI • ZUMBASONGWRITER EMPOWERMENT SERIESSTANDUP YOGA W/ LIVE MUSICA wellness festival with national music acts, live hip hop from Philly, stand-up yoga w/ live music, kids hip hop, breath work, tai chi, zumba, on-site wellness practitioners giving demos & services, local craft arts, food trucks & happy times! 100% of profits goes to Resilient Voices: an organization doing amazing things to support victims of sexual trauma.Our FABULOUS sponsors include: Winter Magnolia Designs, Quility, Laurel OB/GYN, People’s Community Acupuncture, Leeroy Palmer, The Fred Project, West Village Market, Celtic Sea Salt, & Gray Line Asheville.WE LOVE YOU & THANK YOU FOR SUPPORTING SURVIVORS!
Alien Music Club Presents Leonard Cohen: The Deep Cuts
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEALIEN MUSIC CLUB PRESENTS LEONARD COHEN: THE DEEP CUTS Audiences emerge with their minds blown, saying “I thought I knew Leonard Cohen; I had no idea how prolific he was; This is a whole new universe of songs and emotions.” People rave about thought-provoking, meaningful songs of love, hate & redemption, with striking, original interpretations/arrangements of unforgettable songs by the late, great Canadian singer/songwriter, often compared to the likes of Bob Dylan, Tom Waits, Roger Waters & Paul Simon. They absorb spell-binding performances with rich textures and virtuosity by a stellar lineup featuring Ryan Kijanka on bass (Sirius B, Asheville Symphony), Micah Thomas on drums/vocals (Brushfire Stankgrass, Nuclear Tiger), Scott Sharpe on pedal steel (Steelin’ Time), Franklin Keel on electric cello (Sirius B, Asheville Symphony, Upland Drive) and Jonathan Pearlman (JP) guitar/vocals.Alien Music Club is essentially an on-going studio/live performance project conceived and produced by Jonathan Pearlman (JP) of Asheville, NC. JP is currently showcasing two successful tribute shows: “Tom Waits: The Early Years” and “Leonard Cohen: The Deep Cuts”. Past tribute shows include “Paul Simon Meets The Beatles” and “The British Are Coming”. He is also showcasing his own original music in a series of jazz/rock/fusion shows starting in 2023. The list of Pearlman’s musical collaborators is extensive. He has performed with Peggy Ratusz, Zack Page, Connor Law, Ben Colvin, Kelly Jones, Jesse Barry, Ryan Kijanka, Chuck Lichtenberger, Taylor Pierson, Micah Thomas, Jason DeCristofaro, Ben Bjorlie, Linda Mitchell, Jacob Rodriguez, Justin Ray, Justin Watt, Russ Wilson, Reggie Headen, Jay Hoots, Aaron Price, Eric Congdon…The list is long and continues to grow.THE MOON AND YOUAt its core, The Moon and You is a charismatic husband-and-wife team. Melissa Hyman plays cello, Ryan Furstenberg plays guitar and banjo, and both sing in “voices that sound like they were made for one another” (Bill DeYoung, Connect Savannah). But whatever you might assume based on their gorgeous vocal blend and heartfelt lyrics, this ain’t your basic folk duo. With a rotating cast of talented friends to add unexpected instrumentation to their lineup, The Moon and You never plays the same show twice. This ever-evolving, expandable and collapsible model leaves the band constantly reinventing itself in ways both surprising and satisfying.Currently calling Asheville, NC home, Furstenberg and Hyman mix up a fresh blend of influences from very different backgrounds. Melissa grew up in the NYC area studying classical cello. Her dad is a professional violinist and formal music instructor, her mom a fan of 60s folk who loves to host a good old fashioned sing-along. Ryan was born and raised among the Eastern NC tobacco fields, learning classic country and 70s rock on harmonica and then guitar. His rich country baritone and easy Southern style bring an undeniable Americana flavor to the table.
The Foozer Experience (Foo Fighters/Weezer Tribute)
– ALL AGES- STANDING ROOM ONLYTHE FOOZER EXPERIENCEPerformed by El Scorcho & February Stars, “The Foozer Experience” is a 2+ hour Weezer/Foo Fighters tribute show based off their 2005 co-headlining tour with the moniker “Foozer.” The songs of both Weezer and Foo Fighters are powerful and memorable rock anthems and sing-a-longs that have proven the test of time over their 20+ year careers. The Foozer Experience delivers anthem after anthem from these two giants of the Alternative Rock era.The Foozer Experience is a 2-band tribute show, but both bands can deliver a single show as each individual tribute act. Together or separate, El Scorcho & February Stars will leave audiences with an experience only rivaled by Weezer and Foo FIghters.El Scorcho formed in the summer of 2004 with the goal of creating the highest quality Weezer experience next to actually seeing Weezer live. El Scorcho performs the best of the “Blue” and “Pinkerton” albums as well as classic deeper cuts, rarities, and new songs that the ever prolific Weezer continues to produce. The “Quintessential Weezer Tribute Band” quickly grew into one into one of the highest in-demand tribute acts across the Southeast. After Karl Koch (Weezer’s “5th member” and website administrator) caught word of El Scorcho, he immediately started to post show dates and news clips about the tribute act on Weezer’s website, http://weezer.com. El Scorcho has even had the privilege of performing on-stage with Weezer during their 2008 tour of the “Red” Album. To this day, Karl continues to support the band by tweeting their show announcements.February Stars deliver the best live Foo Fighters show with songs spanning their entire career. Foo Fighters are arguably keeping the rock n roll torch lit by delivering melodic and guitar riff-based songs that everyone knows. With a catalog of over 12 full-length studio, live, and EP recordings and a 20+ year career, there is no doubt they are one of the most recognized and influential rock bands of the modern era.
Tina and Her Pony (Album Release Show)
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETINA AND HER PONY “Tina & Her Pony deliver a gentle folk music that inexorably swells into a powerful wave. The songs themselves carry a gentle wisdom that invigorates the listener. Tina & Her Pony truly commit to a kind of chamber folk that feels as timeless as it does timely.” – Rachel Cholst, NO DEPRESSION In a soundscape rich in folk and americana offerings Tina and Her Pony stand out with their clarity and freshness. Harmonies, arrangements, lyrics and captivating vocals combine to create something greater than the sum of the pieces which, taken individually, are deceptively straightforward. Their music chronicles complex emotional landscapes with the kind of wisdom and honesty required from roots music in its most distilled and cherished forms. The pandemic brought much change and loss to Tina’s world, and this is reflected in her fresh material, a collection of songs that comprises her newest record, “Marigolds” (2023). But Tina has been upending expectations and convention from early on. Her distinctive vocals and songwriting are the product of both a conservatory education and her singular taste in female folk artists like Gillian Welch, Joni Mitchell and Kate Wolf. Though originally founded as a duo by both Tina Collins and Quetzal Jordan, these days the band is centered solely around the songwriting and singing of Tina, who is accompanied by a rotating cast of inspired instrumentalists and friends. The current core band features Melissa Hyman on electric bass, Ryan Furstenburg on electric guitar and Ross Montsinger on drum kit. “Even within the world of folk, Tina & Her Pony’s sound can’t be defined within a single culture or concept. What is undeniable, however, is the soul-stirring power of the music itself”. – Andria Brown, Folk All Y’all Identifying as queer also plays an important role in how Tina approaches her unique blend of indie Appalachian folk, Americana, and her essential musical and personal expression. In recordings as well as live performances, Tina always strives to provide the listener with a deep oceanic counterpoint to her earthy, time-honored musical approach. It’s an apt metaphor for the dark and the light of life, for the transformation of life’s joys and sorrows into songs that Tina & her Pony has strived to create since 2010. Tina counts through-hiking the Appalachian Trail as a formative musical and human experience, deepening her connection to that place and its musical traditions while also relishing places of fluidity in both art and expression, constantly inverting expectations. Live performances weave a fascinating web of sound and intention that draw the audience in. Listening to Tina & Her Pony offers a window into an interior landscape that begs to be explored. FWUITFwuit is an Asheville-based retro soul band consisting of members of the band MOVES and Holy Ghost Tent Revival. Dulci, Kevin and Ross play a mix of original music and carefully chosen covers, highlighting beautiful two-part harmony atop the deepest pockets of groove.
Deb Talan (of The Weepies)
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDEB TALAN Deb Talan has been writing songs since she was 14 years old. Granted, her style has changed a bit since writing the forever-unknown smash-hit “Through the Window” about feeling numb, like life was going on somewhere out there but not accessible to her (at 14. so jaded.) She played clarinet, wrote songs on piano, later taught herself to play guitar in college, got obsessed with Shawn Colvin, was a vegetarian for 4 years, ended that with a hotdog and a swim in lake Michigan, started a band in Portland, OR with her friend Mark, named it Hummingfish, wrote a lot of fun songs that people danced to ‘til they were all sweaty in that hipster/grungy/geeky Northwest kind of way, moved back to the east coast 6 years and a divorce later and began playing solo in Boston coffee houses (read: 4 different Starbucks that she also poured espresso at) opened shows for Catie Curtis (a songwriter hero of hers) met up with Steve Tannen and formed The Weepies, played shows all over the country and the world, toured in a real tourbus! moved to LA, got married to Steve, made 5 records and 3 amazing boy-children together with him, had songs placed in loads of movies and tv shows, moved to Iowa, got breast cancer, got chemotherapy and relied heavily on marijuana for pain and nausea relief(Legalize, for gods’ sakes, can we grow up as a country, please?) recovered from breast cancer, made a solo album, struggled with mental health issues (Childhood Incest Survivor, lucky to be alive, music has helped, and so have many blessed healers) and relationship issues for 6 years, got divorced from Steve. She has a lot she could say these days. She prefers to listen. But playing songs for people is a close second. Music heals. Songs can be prayers. Deb Talan is some lovely damn proof of that.
Acid Mothers Temple: MetaReboot North American Spring Tour 2023
– ALL AGES- STANDING ROOM ONLYACID MOTHERS TEMPLE Formed in 1995 by Makoto Kawabata at the same time as the Acid Mothers Temple Soul Collective. The group released its debut album in 1997 on PSF Records (Japan), and it was selected as one of the year’s best albums in the The Wire magazine (UK). In 1998 the group played their first tours of the US and Europe. Since then the group has released a huge number of albums on labels from many different countries. As of 2017, the group has released around 80 albums. Every year since 1998, they have toured extensively in the US and Europe, and more recently have started performing around Asia and in Japan too. The group has performed in collaboration with many musicians including psychedelic originators Gong and Guru Guru, Simeon (Silver Apples), Nik Turner (Hawkwind), and the Occitanian trad sinder Rosina de Peira. Japanese collaborators have included Afrirampo, Tatsuya Yoshida (Ruins), Maso Yamazaki (Masonna), Seiichi Yamamoto (Boredoms), Jun Kuriyama (The Ox), and many others. To begin with the group had a floating line-up with contributions from many members of the AMT Soul Collective. But as tours became more frequent, the group began to coalesce around a core touring line-up. Other bands were created with Acid Mothers Temple as part of their name (AMT & The Cosmic Inferno, AMT SWR, AMT & The Space Paranoid, AMT & Infinity Rising Zero, Acid Mothers Gong, Acid Mothers Guru Guru, Acid Moon Temple, etc.), but AMT & The Melting Paraiso U.F.O. has continued to function as the mothership and main lineage for all our activities. In 2016, 21 years since the group’s founding, there was a major shift in the line-up and “Next Generation” was added to the name. We now view the first 20 years as chapter one in our story, and we are now turning the page to start chapter two. The group played more than 100 shows in each year, toured in Europe, North America, South America, Oceania and Asia, also Japan. They also played many festivals (Glastonbury Festival in UK, Levitation in US and France, Rock In Opposition in France, Standon Calling in UK, Kuala Lumpur Experimental Film, Video & Music Festival in Malaysia, LUC fest 貴人散步音樂節 in Taiwan, etc). During pandemic, they launched their official Bandcamp, have released more than 60 albums (including many unreleased materials), and have toured in Japan in each year. And they played the streaming festival “Levitation Sessions”. They organized “Acid Mothers Olympic 2021” against “Tokyo Olympics 2021”, they originated and played a new style of “music sports”. Autumn 2022, Finally the group will go to the first European tour after pandemic. The current touring line-up is: Kawabata Makoto (the founder member), Higashi Hiroshi (the founder member), Satoshima Nani, Jyonson Tsu and Ron Anderson.ST37Since their formation in January of 1987, Texas psych/space rock legends ST 37 have released 12 CDs, 4 double LPs, 4 LPs, 5 7″ 45s, 1 12″ 45, 8 CDRs, 3 double CDRs, 9 cassettes, and have appeared on over 45 compilations and collaborations on labels ranging from Emperor Jones and RRR to Cleopatra and Noiseville. They’ve played over 500 shows and toured extensively all around the United States and Canada.
Wild Child: End of the World Tour
– ALL AGES- STANDING ROOM ONLYWILD CHILD After more than a decade of non-stop touring, acclaimed Austin songwriting duo, Kelsey Wilson and Alexander Beggins, quietly stopped touring as Wild Child — their accidental indie band conceived in the back seat of someone else’s tour van. Wilson joined the singer-songwriter super group, Glorietta, and debuted her genre-bending, Motown-influenced solo project, Sir Woman — Austin Music Awards’ Best New Act of 2020 that NPR critic Gini Moscorro called an effortless move into “a brave new R&B-infused, gospel-flecked world where her golden pipes ease you back into a fluffy pillow of serenity and bliss.” And Beggins unveiled his musical alter-ego, Coco Zani, with the release of his first solo album, “As Simple As A Dream” featuring the single, “Paradise,” which The Wild Honey Pie called “the perfect soundtrack for waltzing around your room.” Headed in different sonic directions, Wilson and Beggins didn’t know if they would ever make another Wild Child record. Then, well, what felt like the “end of the world” brought them back together. Pandemic lockdowns closed stages and drained bank accounts. In Austin, the Live Music Capital of the World, local bands took their shows to the internet. Wild Child was no different. Wilson and Beggins got together to practice for a series of online performances for devout fans. And within in 30 minutes, they wrote the first single for what would accidentally become Wild Child’s fifth album, End of the World. The song, Photographs, is a bittersweet, ukulele-backed duet that Wilson calls “something familiar for Wild Child fans who have stuck with us over the years.” “It felt like our very first record, when the two of us wrote a bunch of songs while on tour for someone else. There wasn’t any aim to do anything with those songs at the beginning. For the first time since then, that’s how we started writing these songs. We didn’t know if we would make another record. It just came together,” Beggins said. Wild Child’s fifth album, “End of the World,” was mixed by Matt Pence (Jason Isbell, Elle King) and includes guitarist Charlie Wiles (Paul Cauthen, John Moreland, Orville Peck). PROXIMA PRADAPróxima Parada is an American band from San Luis Obispo, CA. A group of four with wild fantasies of promoting joy, human connection, and making introspection sexy again. It all started with the discovery of freedom way back when, and the invention of brass allowed them to fashion their unique sound.
Covet
– ALL AGES- STANDING ROOM ONLYCOVETCovet started in 2014 as a bedroom project by guitarist Yvette Young, who at the time, was balancing writing music part time with working as an art teacher. Over the years, the project has certainly grown beyond its “Bay Area garage band” roots and has been fortunate enough to reach people all over the world- enough so that Young eventually left her teaching job to pursue making music with a band full-time.With a background in visual art, art therapy/education, and classical piano/violin, Young aims to write emotive songs that capture colorful imagery, uplift, and tell stories. Their sound can be described as “instrumental progressive rock” but the music draws influence from many genres like Midwest emo and shoegaze and doesn’t try to adhere to one main sound. Young’s fluid and polyphonic fingerstyle approach to guitar is often described as very piano-like, and although her playing at surface level is technical and intricate, the music still aims to make people feel something and make people want to dance.The band has released an EP Currents, an acoustic EP, and 2 full length albums Effloresce and Technicolor. Over time the sound has really transformed from its twinkly mathrock origins to a more evolved, fuller, more melodically complex sound that incorporates a myriad of tones andtextures. There is currently one new album in the works, which the band will be playing songs from.SCARYPOOLPARTYAlejandro Aranda (born August 11, 1994), known by his stage name Scarypoolparty, is an American singer, musician, and reality television personality from Pomona, California, and runner-up on the seventeenth season of American Idol. His debut album Exit Form was released on November 22, 2019. His follow-up album length EP, Doom Hologram was released on September 4, 2020. L.A. was released 2021. The Act of Forgiveness/a double Album was released in 2021 also.ALTO PALO It was touch and go as to whether altopalo would come together to make another album again. Being best friends for over ten years has made them incredibly comfortable with each other, to the extent that their friendship has become more like a brotherhood, a familial kind of relationship with all the strains and hurt that entails. In the wake of George Floyd’s murder in the summer of 2020, drummer Dillon Treacy decided that he needed to take a step back from the band as the only black member of a group otherwise made up of white people, at least until they could all take some time to reflect. This lasted a couple of weeks and wasn’t something that they publicly talked about on social media, but Dillon’s leave of absence led altopalo to realize how they needed to be with each other in order to make music and relate to each other.
