OUTPOST: Adam Knight’s Buried Alive (Tribute to Phish)
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEAdam Knight’s Buried AliveMulti-genre guitarist and Phish devotee, Adam Knight, has brought together an exceptional group of musicians to celebrate the music of Phish. In 2018, at the request of a local venue owner, Adam put together a band called Adam Knight’s Buried Alive to perform at a Phish-themed event. After that show, it was clear that the band had remarkable chemistry and wanted to take the project even further. Adam Knight’s Buried Alive is known for precisely executing the most complex Phish compositions. The band uses their favorite Phish tunes as a launching pad for their own high- energy, intense jams. This cathartic celebration is what phans live for.
The Nth Power
– ALL AGES- STANDING ROOM ONLYTHE NTH POWER The Nth Power believes in the healing power of music. This all-pro alignment of sharp and seasoned musical vets delivers a transcendent blend of soul, funk, rock and rhythm and blues with multi-part vocal harmonies and songs that inspire audiences to dance, groove, make love or just stand there with goose bumps. The band’s electric live performances have been flooring audiences ever since the group formed in New Orleans during an impromptu jam during Jazzfest nearly a decade ago. After an EP, studio album and two live albums, the band returned in 2021 in support of their second full-length studio release, Reverence, which was featured on the first-round nominations ballot for the 2022 Grammy Awards.The Nth Power hails from diverse musical backgrounds, races and creeds, but the universal language of love and its power to change lives is the thread that binds them. The trio features drummer Nikki Glaspie, whose credentials include Beyonce, Maceo Parker, Dumpstaphunk and countless more; guitarist and lead vocalist Nick Cassarino, known best for his previous work with Jennifer Hartswick and Big Daddy Kane; and bassist Nate Edgar of reggae giant John Brown’s Body. “It’s my dream team,” said Glaspie, “each one of us is a songwriter, so when we get together, everything becomes that much stronger.” Beyond raw skill, however, Glaspie cites a deep spiritual connection as the glue that binds them together. “Music is what brought us together, but it’s the spiritual bond that makes us play so in touch with each other,” she explained.The Nth Power’s inspirational sets have floored audiences at music festivals like Electric Forest, High Sierra, Peachfest, North Coast Music Festival and Hulaween. They maintain New Orleans as their spiritual home, and the celebratory essence of that city’s music culture is audible in each performance – garnering high profile festival appearances and national acclaim from outlets like Relix, Modern Drummer, Huffington Post, Glide, Consequence, Okayplayer and Sirius XM. Simply put, there is something pretty magical happening in this band, and they’re only just getting started. “Were going as far as you can go on the planet Earth and playing music,” explains Glaspie, “I don’t know how many times we’ve said it, we are so blessed.”
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
The Grateful Brothers
– ALL AGES- STANDING ROOM ONLYTHE GRATEFUL BROTHERS The Grateful Brothers pay tribute to two of the richest catalogs of music in American history: The Grateful Dead and The Allman Brothers Band. Formed in early 2016, The Grateful Brothers combine the catalogs of The Allman Brothers and The Grateful Dead. Often intertwining songs through segues and transitions, they carry out the improvisational spirit of the two groups in their own space. They use the songs as more of a template rather than adhering to strict album-style covers, creating a unique, high-energy, and genuine crowd experience at every performance. The seven musicians making up the band have known each other and played in various outfits with one another for upwards of twenty years. The camaraderie between them is obvious and the familiarity leads to the ease of musical exploration.
Machine Funk: A Tribute to Widespread Panic
– ALL AGES- STANDING ROOM ONLYMACHINE FUNK: A TRIBUTE TO WIDESPREAD PANIC Machine Funk “Tribute to Widespread Panic” was formed in the summer of 2006 in Florence, SC. The band tours the southeast covering the music of Widespread Panic. Night after night their set lists are never the same, with having over 150 songs in rotation you will not see the same show twice. MF also include songs from Led Zeppelin, Black Sabbath, Talking Heads and many others. Machine Funk has shared the stage with musicians from The Dirty Dozen Brass Band, North Mississippi Allstars, Randall Bramblett, ALSO Todd Nance and Jojo Hermann of Widespread Panic. We thank you for your support. See you on the road! Sean Mills- Guitar, Vocals Will Ames- Bass, Vocals Greg Buie- Keyboards Laddie Johnson- Drums Parker DeWitt- Percussion/Vocals
JAZZ IS DEAD: 25th Anniversary Tour
– ALL AGES- STANDING ROOM ONLY- FEATURING STEVE KIMOCK, ALPHONSO JOHNSON, PETE LAVEZZOLI, BOBBY LEE RODGERSJAZZ IS DEAD celebrates it’s 25th Anniversary with an all-star ensemble performing a limited run of shows to honor the 50th Anniversary of The Grateful Dead’s ‘WAKE OF THE FLOOD.’ The acclaimed All-Star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences, returns in 2023 to celebrate its 25th Anniversary. Co-founder Alphonso Johnson will be joined by Steve Kimock, Pete Lavezzoli & Bobby Lee Rodgers, performing Grateful Dead’s ‘Wake of The Flood’ marking it’s 50th Anniversary, in addition to other beloved selections. Jazz Is Dead XXV ‘reunites’ two greats! Steve Kimock & Alphonso Johnson, who together in heavyweight post-Garcia Grateful Dead offshoot The Other Ones together with Bob Weir, commanded the instrumental prowess of that band. Formed in 1998 by bassist Alphonso Johnson (Weather Report, Santana, Bobby & The Midnites, The Other Ones), drummer Billy Cobham (Miles Davis, Mahavishnu Orchestra, Bobby & The Midnites), keyboardist T Lavitz (Dixie Dregs) & guitarist Jimmy Herring (Aquarium Rescue Unit, Widespread Panic), with drummers Rod Morgenstern (Dixie Dregs) & Jeff Sipe (Leftover Salmon) replacing Cobham in 1999, and guitarist Jeff Pevar (CSN, David Crosby CPR, Phil Lesh & Friends) replacing Herring in 2000, recorded 3 acclaimed albums, the second of which ‘Laughing Water’ in 1999 was in fact an instrumental ‘Wake of The Flood’ reinterpretation – so there is precedent. That album also featured Derek Trucks, Donna Jean Godchaux & Vassar Clements. On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead’s rather ordinary rock album Wake of the Flood. Fortunately, you don’t have to be a Deadhead to appreciate this album. Laughing Water not only fuses jam-rock with jazz, but it possesses a country-bluesy Americana flavor. The songs on Laughing Water are long and improvisational, but they seldom grow boring. From a purely technical standpoint, each musician in Jazz Is Dead is a superior player to his counterpart in the Grateful Dead. But unlike many pop-jazz remakes of rock albums, Laughing Water manages to capture the rock ‘n roll animus of the original. The communal carefree spirit of tie-died counter culturalism lives on in this music. Not only should Deadheads come away happy, but fusion freaks and aficionados of improvisational rock should, too. – Ed Kopp, All About Jazz 1999
