OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
MUDHONEY
– ALL AGES- STANDING ROOM ONLYMUDHONEY The world is filling up with trash. Humanity remains addicted to pollution despite the planet getting hotter by the minute. People are downing horse dewormer because some goober on television told them it cured COVID. Tom Herman of pioneering avant garage band Pere Ubu still doesn’t have his own Wikipedia article. The apocalypse, it seems, is stupider than anyone could’ve predicted. Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based band Mudhoney. The foursome take aim at all of them with barbed humor and muck-encrusted riffs on Plastic Eternity, their 11th studio album. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a heady run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. The recording of Plastic Eternity delivered several firsts for the band. With Maddison planning on moving his family to Australia, Mudhoney was forced to work on a deadline, booking nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. Since the pandemic had made it impossible for them to convene in their practice space for nearly a year and a half, this meant they were going in to make a record with an assortment of half-forgotten riffs and nascent ideas rather than fully-fledged, well-rehearsed songs. This was unusual for a band used to writing songs by “standing in a room and looking at each other and playing,” says Arm. “We had the time and space to think about things as we were doing them, and to make a kind of course correction—to use a fucking terrible cliche.” They built “Flush the Fascists” around a looping synth line, broke out a harmonizer on two tracks, added a vocoder to “Plasticity,” and even created a protest song out of a spontaneous jam on “Move Under,” the chorus of which Arm calls “something the Runaways might have come up with if they were us.” “Undermine the foundations/ Of the lies that they repeat,” implores Arm on the chorus. “You gotta move under/ Until it all comes down.” So it seems, despite its mordant delivery and crusty exterior, Plastic Eternity is not just a rebuke to the constant attacks on our intelligence and our planet—it’s an ode to the connections we make with other living beings. What is the persistence of Mudhoney but a testament to that? When asked why they continue making records nearly four decades after forming, Arm’s answer is simple. “We like each other and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”HOOVERIII
LATE SHOW: Brian Sella
– ALL AGES- STANDING ROOM ONLY- LATE SHOW (9:30PM DOORS / 10PM SHOW)BRIAN SELLA (OF THE FRONT BOTTOMS)
PATIO: Arnold Hill
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEARNOLD HILLArnold Hill is an alternative rock and Americana band based out of the Great Smoky Mountains of North Carolina. Identified by our lyrical storytelling, rich three-part harmonies, and dynamic instrumentation, Arnold Hill brings presence and energy to every stage we play.Arnold Hill released our first original LP, “Back To Life”, in 2019. As a follow-up to the success of our first album, Arnold Hill has released our second album, “How To Run” in 2021. Both albums can be found on all major streaming platforms. We are currently working on a ton of new material and look forward to releasing 2 EPs in 2023!
OUTPOST: Bearly Dead
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEBearly Dead is an all-star cast of players with deep roots in the New England jam & festival scene. While the band plays all of the Grateful Dead classics, they also dive into an extended catalog, which may include any song that any member of the Dead ever performed. With over 230 songs in rotation and new material being added all the time, Bearly Dead performs wildly different setlists every night and ensures that each show is a unique experience. With no designated “Jerry” or “Bobby”, this band is able to breathe new life into songs with their fresh, high-energy approach to them. Bearly Dead is a setlist-nerd’s dream! Founded during an intense snowstorm in April 2015, Bearly Dead played its first show at Church of Boston, marking the beginning of its hallowed Wednesday Night Residency. In September of that year, Church was sold and the band found a new home on Wednesday nights at Thunder Road in Somerville. During their 5 years at Thunder Road, Bearly Dead was nominated twice for the Boston Music Award’s “Live Music Residency of the Year,” and burst onto the scene as New England’s premier Grateful Dead tribute band. The phrase “Never Miss A Wednesday Show” became ubiquitous around Boston…and you really never knew what might happen! Bearly Dead’s Wednesday Night Residency at Thunder Road continued unabated every week since its inception in September 2015 until the club’s closing in 2020. Thunder Road was a beacon to all musicians on Wednesday nights to join in the fun, with notable appearances by Mike Campbell (Tom Petty & The Heartbreakers), Paul Wolstencroft (Slightly Stoopid), Steve Molitz (Particle/Phil Lesh & Friends), Kebbi Williams (Tedeschi Trucks Band), Rob Compa (Dopapod), Hayley Jane (Hayley Jane & The Primates), Johnny Trama (Dub Apocalypse), and Gary Backstrom (Gary Backstrom Band); and a surprise appearance by Jerry Garcia’s “Wolf” guitar in 2018 on Jerry Garcia’s birthday! The Wednesday Night Residency was briefly revived in 2021 at The Burren and Sonia before officially ending in May 2022.
Miami Gold
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEMIAMI GOLD Miami Gold is based in Asheville, NC. It is known for playing tight, energetic, and convicted rock n roll; an ability to musically style-shift while remaining true to its core rock sound; and a deep musical chemistry featuring lead guitar and a hard hitting rhythm section. The power trio have played with respected musicians and producers in a variety of live settings and recording studios. Miami Gold is led by Joel Schantz, a guitarist, singer, and songwriter who fuses smart phrasing and intensity to create an emotionally and sonically engaging guitar style. As a frontman, Joel’s conversational musings and deadpan humor quickly establish a rapport with audiences. Joel has played with some of the luminaries of the rock world, as well as recorded 2 albums under the tutelage of legendary producer Tom Dowd (Allman Bros, Eric Clapton, Eagles, Otis Redding, Aretha Franklin, Thelonious Monk, etc.) Joel’s brother, Ari, is the band’s drummer. His thunderous drive, skillful technique, keen sense of song construction, and attuned ear are a rare combination among rock drummers. Didier Rubio, the band’s bass player, writes heavy riffs that focus the band and lay a solid foundation for its guitar-centric sound.
