The Criticals
– ALL AGES- STANDING ROOM ONLYTHE CRITICALSThe Criticals are a Nashville based rock band formed by Parker Forbes and Cole Shugart. In November 2019, they released their first EP, “Mimosa Hygienem” starting their journey. When covid hit in early 2020, the band focused on writing, recording and releasing music and music videos. Their first music video for Treat Ya Better became popular online, leading many diehard fans to their music. Their sophomore EP, “Sour Grapes” was released in October 2020, along with several singles in ’21 and ’22. In addition to the organic traction on Spotify, along with their music videos, the band has built a loyal and growing audience eager to see them live. CONNOR KELLY & THE TIME WARPConnor Kelly & The Time Warp is dedicated to pushing sonic boundaries while persevering the anthropomorphic elements of Rock & Roll. Drawing inspiration from icons like Pink Floyd, Radiohead, and Red Hot Chili Peppers, the group cultivates a sound that pays tasteful homage to legends of the genre but not without their own unusual twist. Since their latest album release “Distant Forest” the band has accumulated over 5 million streams and joined acts like The Backseat Lovers, Vista Kicks, and Moon Taxi on the road. Connor Kelly, Ben Kelly, Aiden Lamb, and Daniel Ryan are liable to disrupt the space-time continuum.
AGENT ORANGE
– ALL AGES- STANDING ROOM ONLYAGENT ORANGEThe Original Southern California Punk/Surf Power Trio, Agent Orange, is one of only a handful of bands who have been continually active since the earliest days of the West Coast Punk Scene. A small circle of musical rebels who came together to form a movement, they took their place front and center to experience and participate in the explosion of now legendary underground music that was created during the golden era of American Punk Rock.Being the first to combine the melodic California surf guitar sound with the frantic energy of punk, Agent Orange invented the formula that would come to define the Orange County punk sound. Highly influential to many of the bands who have followed in their path, Agent Orange have always stayed one step ahead. Their strong connection to the Action Sports world has resulted in their music providing the soundtrack to numerous major motion pictures, video games, surf and skate films, television, and live sports events.The last of the true independents, Agent Orange have managed to stay true to their roots, while always moving forward. Powered by a loyal following built up through years of explosive live performances all over the world, Agent Orange continue to deliver their Fullblown-Supercharged-Punk-Surf Sound on an international basis, with a never ending schedule of tours in the United States, Canada, South America, Europe, Australia, and Japan.C’mon down front and expose yourself to Agent Orange.SUZI MOON The unstoppable SUZI MOON comes roaring back with a debut solo EP Call the Shots, a powerful clutch of high impact songs which reaffirm her status as one of punk rock’s most vibrant performers! With a stellar rock & roll pedigree reaching back to when the then 15-year-old MOON joined her sister’s famed punk band, CIVET, the singer-songwriter has followed through with songs that show her incredible growth. Recording two albums for Hellcat Records and touring with the likes of SOCIAL DISTORTION, DROPKICK MURPHYS, and FLOGGING MOLLY (all before she turned 21), MOON established herself as a ferocious punk truth-teller with both a distinctive personal style and a fiercely untamed stage presence. After CIVET went on hiatus, MOON formed TURBULENT HEARTS, a high-intensity trio that quickly gained popularity in their hometown Los Angeles scene and earned followings in the US and Europe, playing such high-stakes settings as the Rebellion Festival and Punk Rock Bowling.THE DEATHBOTSThe Deathbots make their home in Asheville, NC among the freaks, weirdos, and white dudes named Chad that just moved here from Charlotte and are totally down to brewery hop on the South Slope. It’s widely accepted in Asheville that everything was better a few years ago and the Deathbots do their part by making the punk rock that your older sister used to listen to before she sold out and went to law school. Holy Crap Records describes the sound as a “brawling mix between Bad Religion and Johnny Cash, that combo of super speedy melodic punk and killer bad-ass country.”
Velvet Truckstop (Album Release Show) w/ Pyletribe ft Artimus Pyle
– ALL AGES- STANDING ROOM ONLYVELVET TRUCKSTOPFrom the Blue Ridge Mountains of Western North Carolina, Velvet Truckstop is a seasoned powerhouse that delivers a high-energy mix of Southern Rock and jam fueled Cosmic Americana every time they take the stage! VT has recorded / performed live with many notable musicians; including Tom Constanten ( Grateful Dead) , Ike Stubblefield (Frank Zappa, Jerry Garcia Band) Artimus Pyle (Lynyrd Skynyrd) and John Keane ( Widespread Panic) . Following the success of their first full-length album, “Sweet Release” (voted No. 5 on WNCW’s Top 20 regional charts), they went on to command stages at top events; including multiple performances at SXSW in Austin, Texas; the Warren Haynes’ Christmas Jam (2009- 2019 ) and the French Broad River Festival ( 2019 ) After extensive touring throughout the East Coast, the band cut their second album, “Southbound and Down” , produced by Johnny Sandlin ( Allman Brothers / Widespread Panic) in Muscle Shoals AL. Velvet Truckstop is happy to announce their third album ” Reckless Abandon ” will be released in 2022. Band Members are : Jamie Dose (guitar / vocals), Josh Gibbs ( Lap steel / Guitar and vocals ) Will Nicholson ( bass ) and Jor Sutton ( drums ). PYLETRIBE Combining the iconic talents of legendary Lynyrd Skynyrd drummer Artimus Pyle, and the infectious vocal and guitar licks of son Chris Pyle, PYLETRIBE pushes the creative boundaries with their percussion influenced style dubbed “southern fried tribal boogie.”
shame
– ALL AGES- STANDING ROOM ONLYshameshame were tourists in their own adolescence – and nothing was quite like the postcard. The freefall of their early twenties, in all its delight and disaster, was tangled up in being hailed one of post-punk’s greatest hopes. In 2018, they took their incendiary debut album Songs of Praise for a cross-continental joyride for almost 350 relentless nights. They tried to bite off more than they could chew, just to prove their teeth were sharp enough – but eventually, you’ve got to learn to spit it out. Then came the hangover. shame’s frontman, Charlie Steen, suffered a series of panic attacks which led to the tour’s cancellation. For the first time, since being plucked from the stage of The Windmill and catapulted into notoriety, shame were confronted with who they’d become on the other side of it. This era, of being forced to endure reality and the terror that comes with your own company, would form shame’s second album, 2021’s Drunk Tank Pink, the band’s reinvention.If Songs of Praise was fuelled by pint-sloshing teenage vitriol, then Drunk Tank Pink delved into a different kind of intensity. Wading into uncharted musical waters, emboldened by their wit and earned cynicism, they created something with the abandon of a band who had nothing to lose. Having forced their way through their second album’s identity crisis, they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which Steen declares to be “the Lamborghini of shame records.”For the first time, the band are not delving inwards, but seeking to capture the world around them. “I don’t think you can be in your own head forever,” says Steen. A conversation after one of their gigs with a friend prompted a stray thought that he held onto: “It’s weird, isn’t it? Popular music is always about love, heartbreak, or yourself. There isn’t much about your mates.” In many ways, the album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together – and grown so close, against all odds – can share.BEEN STELLAR Been Stellar is what you get when you leave the youth alone in a metropolis; they grow up. They make noise. Their songs are formed and lived somewhere on Broadway, on Hester, on 34th, in Union Square, on the bridge, in the gutter, and under your shoe. The trivial street scenes lipsticked by well-loved decades are fully recognized in Been Stellar’s hail of guitar tones and insistent lyrical earnesty. Crackly, bright and distorted – stories of violence, love, and a new, un-glamorous, New York City. Hailing from metro-Detroit, the beaches of Los Angeles, and Brazil by way of Sydney, Nando Dale (guitar), Laila Wayans (drums), Sam Slocum (vocals), Nico Brunstein (bass) and Skyler St. Marx (guitar) have positioned themselves at the glimmering rotten center of tonight’s rock and roll. Each member so distinctly themselves, it must be assumed that such a diverse and unlikely gang were drawn tight together in their first year of university by nothing short of serendipitous fortune and a shared, waggish sense of humor, reflected at the heart of their lyrics and hardened over years of shared experience in the city’s lavish rigidity and urban decay.
Bit Brigade performs “Mega Man II” + “DuckTales” LIVE
– ALL AGES- STANDING ROOM ONLYBIT BRIGADEBit Brigade performs rock covers of full NES game soundtracks as their gamer speedruns the game live on stage.”When was the last time you attended a live music performance with a genuine element of risk involved? And no, going to a Gwar show with a white t-shirt on doesn’t count. When Bit Brigade takes the stage your mind will frantically oscillate between “Oh! Agh!! Please don’t die!!” and “YES! He’s doing it!!” Combining the dread and daring of a live video game speed run with the spot-on technique of a live band covering the musical accompaniment to everything you’re seeing on-screen in real time, Bit Brigade will have you swinging between the two mediums. From thrashing about to live renditions of your favorite stage themes, fingers yearning to the sky in a rock ‘n roll parody of sea anemones seeming to silently plead, “Please, feed us more fretboard pyrotechnics!,” to being locked in stock-still rapture as the infallible maestro of the d-pad, Noah McCarthy, takes on the final boss and risks his video game life under the threat of intense peer scorn (or the reward of night-long glory and a credits score). No matter the outcome, Bit Brigade must play on until the deed is done – which it always is – on the first (and last) try. Once Noah’s NES buzzes on, there’s no turning back.” – Metalhead Mike of The Shizz, summer 2011.CARTRIDGE FAMILYfour who grew up on the same console video games that you did are now applying their combined musical experience and training to recreating some of your favorite songs from those very games. using electronic instruments, the cartridge family performs deep cuts and time-honored classics alike, taking you back to the days of soda-chugging and button-mashing.
Duster w/ Widowspeak
– ALL AGES- STANDING ROOM ONLYDUSTERGather your loved ones, Together is here. Duster’s fourth album is a 13-song exploration of comfortable, interplanetary goth. A sonic vaseline of submerged guitars, solder-burned synths, and over-driven rhythm tracks. “I know people say, ‘Oh Duster music so sad, we’ve even said it ourselves before,” Clay Parton said. “But it’s a lot more like absurdism than nihilism.”WIDOWSPEAKToday, Widowspeak announce their sixth studio album, The Jacket, to be released March 11 via Captured Tracks. Along with the announcement, the duo (singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas) share a propulsive, spirited song about shifting perspectives in increasingly complicated situations. In the music video directed by OTIUM, Hamilton croons “learned to love the ropes when you were caught, see they could be braided a better way and sinking into nothing – you learn to stay” fittingly in front of bulls being wrangled at a rodeo. Watch the “Everything is Simple” video here. Quote from Widowspeak on “Everything is Simple” – At the beginning of something (a relationship, a project, a job, a new place) you have this very pure feeling toward it. Everything feels less complicated because you’re oriented wholly toward that potential. It’s undefined, and that makes it easier to understand, because you can’t see the problems yet. As time goes on, you learn more, you experience more, and you see where the limitations exist: not even necessarily ones imposed upon you, but where you draw your own lines. Maybe you can’t see what was holding you back until it’s in the past, and by then others’ perspectives contradict your own. Everyone is constructing their own versions of reality. The song was originally going to feed into the drama of the imaginary band, but it’s about our own band too. I was thinking about how I’m an inherently unreliable narrator about my own life, and at the same time maybe there are no “true” stories.
Copeland: Beneath Medicine Tree 20th Anniversary Tour
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET AND GREET PACKAGES AVAILABLE, INCLUDING: – One (1) general admission ticket to see Copeland live- Early Entry – 3 song pre-show acoustic performance and Q&A Session- Meet and Greet / Photo with Copeland- One (1) exclusive poster, signed by Copeland- Crowd-free merchandise shoppingCOPELANDLongevity in music comes through pushing yourself and expanding the possibilities of your sound. This has never been more true for Copeland on their latest effort Blushing, a collection of 11 new tracks that advance and evolve everything the trio of musicians has done up until now. The band,which originally formed in Lakeland, Florida in 2001, has unveiled six albums, spanning from their 2003’s debut Beneath Medicine Tree to 2016’s Ixora. While they began as a rock band, Copeland’s music has explored multiple genres and pulled in various stylistic influences like electronic and symphonic. In the past the musicians have aptly melded these styles, creating a unique amalgam of sounds. This time they wanted to take each sound and style and push it to its logical extreme.KEVIN GARRETT Kevin Garrett is a singer-songwriter, multi-instrumentalist and producer from Pittsburgh. Best known for his flawless soulful vocals, lush instrumentation, and post-modern alternative adventurousness, he’s an GRAMMY® Award-nominated artist that is ever evolving. With a back catalogue of releases that sits at over 100 million streams and over one million monthly listeners, Kevin’s sound is a captivating example of musicianship that translates seamlessly into a mesmerizing live experience. With a reputation for songwriting that precedes him, Kevin’s past collaborators include Beyonce, James Blake, Cynthia Erivo and more recently Lennon Stella, Maths Time Joy and rising indie-pop group Dizzy. Influenced by the likes of Sam Cooke, Stevie Wonder and Joni Mitchell, Kevin Garrett has crafted a unique style of soulful alt-pop that has received much critical acclaim (The Fader, Complex, American Songwriter). Now embarking on his next chapter Kevin Garrett is certainly an artist to keep all eyes on.
Bass Drum of Death
– ALL AGES- STANDING ROOM ONLYBASS DRUM OF DEATH The point of an odyssey is to return home changed—still the same person, but deepened somehow, wiser and better, wearing your traveling scars proudly. Bass Drum of Death’s new album Say I Won’t is the end result of a journey that took singer and bandleader John Barrett from a small town in Mississippi and sent him across the world and back home again. The music still rips, with blown-out guitars and drums that sound like bombs going off, and the melodies are catchier than ever, hollered in Barrett’s trademark yelp. But the music hits differently now, more at peace with itself, propelled by a new swagger. Say I Won’t is the record of a veteran band finding its stride and leaning into it, stripping back the excess and finding the raw core of their sound. Say I Won’t, the band’s fifth record, comes at a time of massive change for Barrett, having relocated from New York to his hometown of Oxford, Mississippi during the pandemic. The record is also a homecoming of a different sort, with the band rejoining the ranks of Fat Possum, also in Oxford, the label that released their first record GB City in 2011. Say I Won’t is the first Bass Drum of Death album written, demoed, and recorded with the touring band instead of Barrett doing everything on his own. He found a freedom in working with collaborators that wasn’t available to him before, opening different aspects of the songwriting. It was a process of live recording, layering on different parts and overdubs, and then stripping it all back to the bones of the song, keeping the raw wild heart of the music intact. The result is a groove-oriented, 1970’s-indebted collection of rock songs, with tempos set for cruising and scuzzy guitars galore. There’s an energy and vitality to the music that feels in line with the best of the Bass Drum songs, but with an added boost that comes from new bandmates and a new perspective.DEAD TOOTHAfter an early stint drumming and singing in Haybaby (Tiny Engines), Zach James began writing and self-producing folk records in his bedroom, donning the name The Silver Spaceman. The project evolved into a post-punk band featuring Andrew Bailey (DIIV) on lead guitar. It snarled and simmered around darker textures, miles away from its early folk roots. James looked to his darkened smile and rechristened the project Dead Tooth. They gained momentum opening for bands like Hand Habits, The Space Lady and Current Joys.TONGUES OF FIREMost bands fit cleanly within a genre, but Tongues of Fire don’t. At their heart, they are a punk band; their shows are unhinged; the music is straightforward and hard hitting; there is no trace of excessiveness, but they are accessible, and there is a well-crafted feel to what they do. The production is clean, and the instrumentals deceptively complex. There aren’t bands out there that are like Tongues of Fire. They are themselves and intent on moving the scene forward.
Soulside w/ J. Robbins (Band)
– ALL AGES- STANDING ROOM ONLYSOULSIDESoulside formed in Washington, DC, in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989. In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. Happy”, released in 1990 and re-mastered in 2003.J. ROBBINS (BAND) J. Robbins has been the guitarist/singer and primary songwriter (or pushiest collaborator) in several bands since the early ’90s, including Jawbox, Burning Airlines, Channels, and Office of Future Plans. For the bulk of that time, he has also been active as a recording engineer/producer, working with musicians from around the world at his Baltimore-based studio, The Magpie Cage.
Built to Spill
– ALL AGES- STANDING ROOM ONLYBUILT TO SPILL Built to Spill is an indie rock band from Boise, ID, formed in 1992 by guitarist/vocalist Doug Martsch. In September 2022 they released their most recent album, through SubPop – “When the Wind Forgets Your Name”. Known as well for its rotating line up, the band currently counts with Melanie Radford on bass and Teresa Esguerra on drums. DISCO DOOMORUÃORUÃ is a child of downtowsn, was born at night and attends the parties at dawn. A poor man’s jazz. Working-class’ krautrock. They play in Baixada Fluminense and in the United States, do not travel on tourism and have never been on an exchange program.
